Witchcraft is the name of the game in our latest episode as we cover Studio Trigger’s Little Witch Academia and the 2017 CBBC/ZDF children’s TV show The Worst Witch – two contemporary throwbacks to a simpler time in the media landscape.
Do you remember getting up early on Saturday mornings to watch cartoons and running home after school to catch Full House? Do you remember what it was like to believe in magic and to think that the world would never stop being your oyster? Do you remember when your body didn’t get weird aches, seat belts were optional, and people smoked everywhere? Even if you don’t, you should listen to this podcast.
We go beyond good and evil as we discuss two superhero comedies: the anime One-Punch Man and the 2017 live action Amazon series The Tick. The nature of heroism, the ungratefulness of the common man, and the underemployment of Millennials are all things we cover as we solve all of Japan’s social and economic problems in episode 13 of our podcast. Sometimes we need a hero and sometimes we can’t hold out ’till the end of the night. In those times, we could really use heroes like the ones from these shows.
It’s that time again, a new season of anime bullshit is coming our way.
This past season was a damn near embarrassment of riches both in terms of the expected (Kekkai Sensen, Magus, Garo) and wild cards (MMO Junky, Konohana, Anime-Gataris) among a number of others that all ended up being worthwhile.
This coming season will probably be a return to the standard equilibrium of seasonal quality, but there’s some promising stuff on the docket and some of last season’s strong outings (Magus, Garo) still have their second halves to play out.
As always, some shows that look generic at first glance will probably end up being great and some of the flashier ones will end up just being O-K. So here’s a bunch of preview trailers and dubiously accurate commentary on what you can expect.
Do you like KyoAni but bore of earnest high school girls chasing their dreams?* Well if so you can look forward to Violet Evergarden, the studio’s fantasy-drama about an earnest young war veteran lady robot-doll finding her way in the post-war world by putting the experiences of others into the written word.
It looks, characteristically, pretty great on the aesthetic front. Paying your animators living wages pays off, who knew. In a sign that this is the winter (anime season) of our discontent, Netflix grabbed up Violet Evergarden for the U.S market, so if you want to to watch in a timely manner you should probably go to [REDACTED]
Trigger and A-1 collaborating on a mecha anime, named with classic anime incoherence as Darling in the FranXX. It’s definitely got the Trigger look, but we’ll see if the plot and action also match the energy of their best stuff.
Citrus, a rather successful recent Yuri manga in the English speaking world with a fairly large fan base, is getting its turn at an adaptation this season by Passione, the studio that brought us Rail Wars! (oh no) but also Rokka: Braves of the Six Flowers (Pretty good!). Prepare for all melodrama that comes with Forbidden Love! at a straight laced girls school between non-blood related sisters.
Record of Grancrest War is here for all your probably overwrought strategic war fantasy bullshit needs. Dastardly nobles are using the power of the netherworld to oppress the common people, so do our heroes set out to end their tyrannical ways. Characters will probably reference Not-Machiavelli but also there will be battle meidos.
Pop Team Epic is a very peculiar comedy manga. Here is its preview, of sorts, for its adaptation. We will never forget your sacrifice, Croatian Otaku guy.
A kidnapping in the family unearths long forgotten powers in Kokkoku, spiritual tomfoolery and supernatural horror ensues.
Robots aren’t people, unless they are, and especially if they are cute anime girls, in Moe Runner 2049 Beatless.
Japan in the near future has become a crime infested dystopia. Killers are on the loose, but also killers of those killers that are maybe good? Nevertheless, stylish detectives are here to unearth the truth and also enjoy ramen probably, in Hakata Tonkotsu Ramens.
Do you have a thing for older gentlemen? Well, if so, here’s the romance for you in Koi wa Ameagari no You ni.
Yuru Camp. It’s a low key comedy about camping, there will be big coats and everything will be very cozy.
Sora Yori mo Tooi Basho. Girls doing antarctic scientific research things and probably chasing some dreams. It looks nice.
Tiny fantasy people living in a big tree, doing slice of life things for you and for me.
A manganka was struggling to decide which of his fetishes, monster girls or muscles, would be the focus of his next work and then he just combined them into Killing Bites.
Masaaki Yuasa of The Tatami Galaxy, Mind Game and Ping Pong fame has his latest project dropping this season and that’s never not welcome. Yuasa’s spin on this source material it should promise to be quite the ride.
Cardcaptor Sakura’s back and in pog form to reboot the franchise for the youths, I hope you all enjoy Pogcaptor Sakura.
There’s still a bunch of other stuff, shonens, idols, a second season of that zombie webcomic show that people apparently watched, plus shorts. These could be good, or perhaps bad. (Some of them will definitely be bad.)
*Sometimes KyoAni is said to also make other things.
For the 99th anniversary of the Armistice that ended World War I, Podcastle in the Sky looks at two fantastical versions of that war from this year – the feature film Wonder Woman and the anime series The Saga of Tanya the Evil. Women with supernatural abilities, godlike beings engineering conflict, pop culture memory of a war from a century ago – we have all!
William: Welcome to this episode of PodCastle in the Sky. In this episode we’ll be looking at two pieces of pop culture from 2017 that deal with World War I in a fantasy way. The anime is The Saga of Tanya the Evil, also known as Youjo Senki, and the other piece is the film Wonder Woman. I’m William.
Amber: I’m Amber.
Tom: I’m Tom.
Jesse: I’m Jesse.
A: All right. So I would like to kick things off by actually commenting on both, because one thing I really appreciated about both of these was they both – and maybe because it was both of them are about war – but they both really bring in the idea of humanity being kind of incredibly sucky and reliant on vengeance and things like that. It seems like it’s two characters coming to terms in different ways with the worst aspects of humanity.
And Wonder Woman, she comes to the conclusion that even if humanity has a serious downside, it doesn’t matter, she’ll still fight for what is right because that is what is right. She believes that if she keeps fighting she can help humanity reach a better state, if you will.
Meanwhile, Tanya, her whole deal is essentially using humanity’s worst attributes against her enemies. Anybody who is too vengeful, anybody who is too angry, she flips it and uses it specifically to get ahead for herself only. Everything she does, even the heroic things she does for her team, are for her own benefit. I really like that both shows showed the darker side of humanity and showed what different personalities do with the discovery of that darker side.
J: Well, the thing is that Wonder Woman is a hero – a superhero – and Tanya is basically the villain. We’re watching the bad guy winning, basically, in The Saga of Tanya the Evil. Which, I can’t actually remember the last time an anime had the villain as the protagonist. Continue reading
We test our fortitude by watching two legendary works of fantasy crapitude: the 1996 OVA series Garzey’s Wing and the 1982 movie schlockfest The Sword and The Sorcerer. Incoherent writing, awful acting, and incoherent writing abound in both of the items we review. Can we actually find anything nice to say about either work of fiction? Is there anything redeeming about either movie beyond their ironic camp value? And is it possible to watch either work without feeling oneself getting dumber? Join us this episode and find out!
In this episode we discuss urban planning and transformative pubescent experiences. Also we talk about the movies Jin-Roh: The Wolf Brigade and The Company of Wolves. Both adapt the story of Red Riding Hood, with the former being about an alternate history fascist Japan and the latter being a magical realist feminist take on the traditional fairy tale. We had a couple of technical issues during recording, but we soldiered on for your listening pleasure. Enjoy!
Celebrate Halloween the PodCastle in the Sky way – by watching Ayakashi: Samurai Horror Tales and reading Tales of the Dead. We discuss the two horror anthologies but also talk about horror in general, what scares people in the age of Twitter, and Steve Urkel (a.k.a., the greatest horror villain in fiction). Turn on, tune in, and drop dead tonight!
The book mentioned in the podcast is Peasant Uprisings in Japan: A Critical Anthology of Peasant Histories.
It’s Mad Max and the Musclemen on this month’s post-apocalyptic podcast! In this episode, the PodCastle crew takes a look at two of the 1980s’ most extravagant pieces of end-times fiction with George Miller’s 1981 sequel The Road Warrior and the 1986 anime movie adaptation of Tetsuo Hara’s manga, Fist of the North Star. The narrative mysteries of spontaneously exploding tables, spooky men on stilts, and so much more are explored, so find a parking space for your skull-laden Doom-Buggy and listen along.